+----------------------------------------------------------------------------+
|                                                                            |
| Artist     : Havoc                                                         |
| Album      : Hidden Files                                                  |
| Bitrate    : VBR kbps                                                      |
| Label      : KOCH                                                          |
| Year       : 2009                                                          |
| Genre      : Rap                                                           |
| Rip date   : Feb-18-2009                                                   |
| Store date : Feb-10-2009                                                   |
| Size       : 55,7 MB                                                       |
|                                                                            |
+--------------------------------[Track List]--------------------------------+
|                                                                            |
|Track Listing:                                                              |
|                                                                            |
| 01 - Can't Get Touched                         02:37                       |
| 02 - I Clap Em Up                              03:42                       |
| 03 - Watch Me feat. Ricky Blaze                03:15                       |
| 04 - Heart Of The Grind                        02:58                       |
| 05 - You Treated Me feat. Cassidy              02:58                       |
| 06 - My Life                                   03:16                       |
| 07 - That's My Word                            03:42                       |
| 08 - The Hustler                               03:18                       |
| 09 - The Millenium                             03:13                       |
| 10 - Walk Wit Me                               03:09                       |
| 11 - On A Mission feat. Prodigy                03:38                       |
| 12 - This Is Where It's At feat. Big Noyd      02:55                       |
| 13 - Don't Knock It Til You Try It             03:11                       |
| 14 - Tell Me More feat. Sonyae Elise           02:51                       |
|                                                                            |
|                                                                            |
|                                                44:43 min                   |
|                                                                            |
+----------------------------------[Notes]-----------------------------------+
|                                                                            |
|  2009 solo album from the Mobb Deep legend. The Queens duo of Havoc and    |
|  Prodigy (AKA Mobb Deep) are one of the biggest groups in Rap music,       |
|  selling over four million albums worldwide. With classic albums like The  |
|  Infamous, Hell On Earth, Murda Muzik, and Infamy, Mobb Deep have become   |
|  household names in the Hip Hop community. Not only a respected MC, Havoc  |
|  has also created the sonic backdrops for the likes of The Game, G-Unit,   |
|  Jadakiss, and others.                                                     |
|                                                                            |
|  As golden age rap suddenly gave way to West Coast gangsta in the early    |
|  '90s, an East Coast variety of hardcore rap arose in turn, with Mobb      |
|  Deep initially standing tall as one of New York's hardcore figureheads    |
|  on the basis of their epochal album The Infamous. Released in April       |
|  1995, The Infamous was released almost exactly a year after Illmatic and  |
|  about a half year after Ready to Die — the debut masterpieces of Nas and  |
|  the Notorious B.I.G., respectively, both albums likewise of momentous     |
|  significance for East Coast hardcore rap. On The Infamous, Mobb Deep      |
|  (comprised of Prodigy and Havoc) set the tone for future generations of   |
|  hardcore New York rappers, from G-Unit to Dipset. Subsequent releases     |
|  from the duo were likewise influential, especially Hell on Earth (1996).  |
|  However, by the late '90s, Mobb Deep was no longer setting trends; in     |
|  fact, they seemed to be following them, and they lost some of their       |
|  stature as subsequent generations of hardcore rappers arose. For a few    |
|  years, Mobb Deep struggled to reclaim their commercial standing, until    |
|  they eventually drifted into the G-Unit camp, where they signed a         |
|  lucrative deal to join 50 Cent and company. Blood Money (2006), Mobb      |
|  Deep's first release under the G-Unit banner, rekindled interest in the   |
|  veteran duo, who enjoyed a substantial uptick in sales and airplay.       |
|                                                                            |
|  Prodigy (Albert Johnson, born November 2, 1974) and Havoc (Kejuan         |
|  Muchita, born May 21, 1974) grew up in Queens, specifically the           |
|  Queensbridge area, yet met in Manhattan, where both were students at      |
|  Graphic Arts High School. Their shared love of hip-hop resulted in a      |
|  natural companionship, and while they were still teens, the two young     |
|  men had themselves a record deal with 4th & Broadway, a major rap label   |
|  affiliated with Island Records. In 1993, the label released Juvenile      |
|  Hell, a confrontational album featuring noteworthy production work by DJ  |
|  Premier and Large Professor, who both within a year's time would move on  |
|  to produce the debut of another young Queensbridge rapper, Nas. Not much  |
|  came of Juvenile Hell, however, and it would be two more years before     |
|  Mobb Deep would return.                                                   |
|                                                                            |
|  When they did return in 1995, it was on a different label, Loud Records,  |
|  and with a significantly developed approach. The Infamous featured a      |
|  mammoth street anthem, "Shook Ones, Pt. 2," but it was a solid album all  |
|  around, featuring also the in-house production work of Havoc and a        |
|  couple high-profile features (Nas, Raekwon). The Infamous was more        |
|  hardcore than its two key stylistic predecessors, Illmatic and Ready to   |
|  Die; the beats were darker and harder-hitting while the rhymes were       |
|  downright threatening yet still inventive and crafty. Moreover, there     |
|  were no crossover hits like "Big Poppa" or "Juicy." In fact, there were   |
|  no light moments at all. The Infamous was an uncompromising album for     |
|  the streets, and it was championed as such.                               |
|                                                                            |
|  A year later, in 1996, Mobb Deep returned with a follow-up, Hell on       |
|  Earth, which was a little slicker than The Infamous yet still emphasized  |
|  hardcore motifs. It spawned a couple hit singles that were given          |
|  appropriately theatrical videos. At this point, hardcore rap was at its   |
|  peak, with Death Row Records flourishing on the West Coast and a legion   |
|  of New Yorkers jumping into the scene, following the lead of Nas, the     |
|  Notorious B.I.G., and Mobb Deep. So when it took over two years for Mobb  |
|  Deep to return with a new album, Murda Muzik, not released until April    |
|  1999, the rap landscape had changed significantly. Mobb Deep now had      |
|  significant competition, and since Murda Muzik offered few innovations    |
|  and lacked the spark of the duo's past two albums, it was met with some   |
|  disappointment. By and large, fans enjoyed it, yet the album didn't       |
|  appeal beyond the already established fan base, as the album only         |
|  offered one major hit, "Quiet Storm." The following year, Prodigy         |
|  released a solo album, H.N.I.C. (2000). It got a lukewarm reception,      |
|  appealing to the duo's fan base yet spawning no hits.                     |
|                                                                            |
|  When Mobb Deep resurfaced, in December 2001 with Infamy, they showcased   |
|  a new willingness to reach beyond their fan base. "Hey Luv" was issued    |
|  as a single, and it was the first Mobb Deep song to flirt with R&B        |
|  crossover, or even to mention love, for that matter. The song got some    |
|  airplay, thanks in part to its hook, which is sung by the R&B act 112,    |
|  and its video, which played up the song's air of seduction. Nonetheless,  |
|  Infamy proved to be a relative disappointment commercially, and it        |
|  seemed like Mobb Deep was beginning to see their popularity erode with    |
|  each passing year. It didn't help, either, that around this time the duo  |
|  — and Prodigy, in particular — had been attacked by Jay-Z on "Takeover."  |
|  And too, that Loud Records would go out of business, leaving Mobb Deep    |
|  without a label deal. For the next few years, from roughly 2002-2005,     |
|  Prodigy and Havoc tried to regain their footing. There were one-off       |
|  albums released via various label arrangements — Free Agents: The Murda   |
|  Mix Tape (Landspeed, 2003), Amerikaz Nightmare (Jive, 2004), and The Mix  |
|  Tape Before 9/11 (X-Ray, 2004) — that made minimal impact. By this        |
|  point, not even the fan base was all that interested; it had been eroded  |
|  with each passing year, leaving few faithful.                             |
|                                                                            |
|  Then came a surprise announcement that 50 Cent had signed Mobb Deep to    |
|  his G-Unit family and that an album would be forthcoming. First came a    |
|  quick remix featuring the latest G-Unit signing, "Outta Control," which   |
|  supplanted the original version when 50's The Massacre was reissued in    |
|  2005 as a CD/DVD. Too, Mobb Deep had become omnipresent on the New York   |
|  mixtape scene, releasing all kinds of streets-only material in attempt    |
|  to re-establish themselves. It evidently worked, as Blood Money debuted   |
|  in the Top Ten of Billboard's album chart and brought more exposure to    |
|  Mobb Deep than the duo had enjoyed since their late-'90s heyday. Not      |
|  everyone was convinced by the group's makeover, however, as the G-Unit    |
|  approach was substantially more polished than the Mobb Deep of The        |
|  Infamous. Still, Mobb Deep found a new generation of younger listeners —  |
|  the large G-Unit market base, in particular — who were mostly unfamiliar  |
|  with them. It had been over a decade since The Infamous, after all, and   |
|  Mobb Deep had been out of the spotlight for years. Then, in early 2008,   |
|  Prodigy went away to prison to serve a three-year sentence, putting Mobb  |
|  Deep's future in question.                                                |
|                                                                            |
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